The Syllable
A piece from The Queen of Heaven, for the lovers
This was one of the first pieces I wrote for The Queen of Heaven. I remember writing the first drafts in the Hedgespoken truck during a week’s writing back in maybe 2019 or 2020. As with pretty much all my work, I’d write it differently today, but it still speaks some truth and reminds me of the right things.
The Syllable
What was it you said to me, when we first met? I cannot remember now if it was a thousand years ago or one, but in that moment, the rest of my life fell behind me. I turned and walked towards you and dropped all other distractions. All these lives later, I am still walking, still as lost in love as the moment that first syllable arrived at my ear, so terrible and so sweet. I don’t recall what language you were speaking; you might have been a cloud or a bird or a song. It was your voice that inspired this longing and my ear became loyal only to you. It took me all this time to find you; I mistook others for you, constantly and I will make the same mistake forever, in the street, at my window, in my dream, There you are! And there! Over there! And there! I have thrown nets and made traps for you. You have slipped through the finest mesh and skipped from one snare, slipped from another. I cannot hold you. A fool, but constant in my devotion, I learned only slowly how to court you with these praise-songs I am making, by speaking your name sideways in the world. What was it you said? In that syllable is the secret I came for, this longing that pulls me through all the worlds, through all heavens and all hells. My tongue is a clumsy tool with which to praise you. My heart, though, is as eloquent as the blackbird in the hedge at dusk, naming all the secret things of the world in its song. Great-hearted mistress. Endlessly, I move towards your body of bones and stones and stars. In your eyes are the secrets of all the fires; in your womb are all the children of every universe; in your blood, all the memories of this world. I am coming to you, dear Lady. My feet are tired, but I keep walking. Every step of the way towards you, I am singing love songs, each one an echo of that first syllable you whispered in my ear.
If you enjoy this piece, you might like the rest of the collection, which is available as a physical book and e-book (pdf) from Feral Angels Press here. Whatever the nature of your love, I hope you are able to celebrate it in the ways that mean the most to you, today and every day.





Opening this post to see The Queen of Heaven made my jaw drop, because I dreamed of Ishtar last night and had just finished a Wikipedia dive on her. I had known the name but little about her. In the dream she’s Egyptian, in repose in an open coffin in an L configuration with a similar coffin holding Set (to whom I’ve felt little connection until now as well) at her feet. I gift her an emblem of a winged scarab, which I place at her neck, and similarly gift Set a tiny pink rose encased in glass. Then I sleep beside her coffin, with my head at her feet and my feet at her head, because it feels like she’s not really dead-dead but only sleeping, and to perfectly align myself with her would destroy me. Anyway, thank you for the synchronicity, which I’ll be exploring in greater depth.
It seems as if you're writing from inside the longing, not from the place of having found or lost, but from the movement toward. "I cannot hold you" is just a fact. The beloved keeps slipping, and still the walking continues.
I've been thinking about this idea of an essential kernel we're all, always, trying to catch sight of. Your writing feels like that something that can't quite be grasped, only followed or searched for. Today I was writing my own piece about stepping back from that feeling, wondering if I'll ever catch it or those words again. Different parts of the same path, I think.